Elite Music Online

Literal Repetition : Beethoven Piano Sonata op. 28 movement 1

Non-Literal Repetition : Beethoven Piano Sonata op. 10 no. 2, movement I

Time Signatures

Musical Phrases

Half Cadences

Authentic Cadences

Sequence

Cut Time

Sixteenth Notes

Motifs : Beethoven's 5th Symphony

Imitation example 1 : Bach BWV 532 Organ Toccata

Imitation example 2 : Schumann's First Piano Sonata

Transposition: C Major to E Major example

Ostinato Example 1 : Debussy's Reverie

Ostinato Example 2 : Moonlight Sonata

Bassline Ostinato : Purcell's "Dido's Lament"

Introduction to Modulation : Franz Liszt's Annees de Pelerinage: Premiere Anee, Suisse, movement 1: "Chapelle de Guillaume tell"

Deceptive Cadences : Beethoven's op. 90 Piano Sonata

Simple Canon : Mahler's Symphony no. 1

Interval Canon : Bach's 27th Goldberg Variations

Other Canon Types : Mozart, Bach, Ockeghem

Introduction to Form : Chopin's nocturne op. 15 no. 1

Sonata Form : Beethoven's Piano Sonata op. 14 no. 2

Simple Pivot Modulations : Liszt's Annees de Pelerinage: Premiere Annee, Suisse, "Chepelle de Guillaume Tell",

Augmentation and Diminution: Maurice Ravel's Introduction and Allegro

Polyphonic vs. Homophonic Texture : Bach's fourth Brandenburg Concerto, BWV 1049

Direct Modulations : Schubert's D. 960 sonata

Hemiola Rhythms : Chopin's fourth Scherzo, op. 54

The Fugue pt. 1: General Structure, Bach's B-flat minor fugue from the Well Tempered Clavier

Common Tone Modulations : Schubert's D. 960 piano sonata

Extended Tonality: Bitonality in Stravinsky's "Petrushka"

Extended Tonality: Bitonality in Stravinsky's "Rite of Spring"

Extended Tonality: Atonality : Schoenberg's op. 19 no. 2

Serialism : Webern's op. 25 no. 1

Dance Form : Beethoven's Symphony no. 1, Scherzo movement

Rondo Form : Beethoven's op. 31 no. 1 Piano Sonata

Theme and Variations : Rachmaninov's Variations on a theme of Chopin

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